Cover illustration: H Lansdown / Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: GewerbestraCham, Switzerlandįirst of all, I wish to thank Victoria Peters, Tomas René, and especially Vicky Bates, at Palgrave Macmillan, for their interminable kindness in responding to my minutest inquiries, and their endless patience with my paranoid attention to detail. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication.
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in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The use of general descriptive names, registered names, trademarks, service marks, etc. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Performance Philosophy ISBN 978-5-1 ISBN 978-6-8 (eBook) Library of Congress Control Number: 2018931895 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. Teemu Paavolainen University of Tampere Tampere, Finland Theatricality and Performativity Writings on Texture from Plato’s Cave to Urban Activism
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Gallen, Switzerland Lydia Goehr, Professor of Philosophy, Columbia University, USA James R. Hamilton, Professor of Philosophy, Kansas State University, USA Bojana Kunst, Professor of Choreography and Performance, Institute for Applied Theatre Studies, Justus-Liebig University Giessen, Germany Nikolaus Müller-Schöll, Professor of Theatre Studies, Goethe University, Frankfurt am Main, Germany Martin Puchner, Professor of Drama and of English and Comparative Literature, Harvard University, USA Alan Read, Professor of Theatre, King’s College London, UK Freddie Rokem, Professor (Emeritus) of Theatre Arts, Tel Aviv University, Israel More information about this series at Series Advisory Board: Emmanuel Alloa, Assistant Professor in Philosophy, University of St. As such, the series addresses the philosophy of performance as well as performanceas-philosophy and philosophy-as-performance. It also includes studies of the performative aspects of life and, indeed, philosophy itself. The Performance Philosophy book series comprises monographs and essay collections addressing the relationship between performance and philosophy within a broad range of philosophical traditions and performance practices, including drama, theatre, performance arts, dance, art and music. Performance Philosophy is an interdisciplinary and international field of thought, creative practice and scholarship. Performance Philosophy Series Editors Laura Cull Ó Maoilearca University of Surrey Guildford, UK Alice Lagaay Hamburg University of Applied Sciences Hamburg, Germany Will Daddario Independent Scholar Asheville, NC, USA PERFORMATIVITY WRITINGS ON TEXTURE FROM PLATO’S CAVE TO URBAN ACTIVISM
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